Local drug dealer discusses business, student life

By: Nicholas Renard

When I graduated from high school, the only reservation I had when applying for colleges was purely fiscal. The thought of borrowing money from the federal government to fund my education plagued me.

After three semesters at a local, state university proved inadequately stimulating, I finally embraced my plight and withdrew multiple federal loans, and eventually transferred to the University of Kansas.

But one university student took a different route.

Convincing him to agree to this story took choice words and subtle persuasion. We ran into each other late one night in a downtown Lawrence dive and, after several beers, he agreed.

I prayed that his decision would hold fast once dawn broke and the booze cleared out and, to my luck, it did.

He is 23-years-old and, for the sake of anonymity, we’ll call him John Doe.

That afternoon, John and I met again in a quiet corner of the library. He was already heading there for an extensive homework binge. I sat down beside him and took out my phone to record our interview.

“I’d rather you didn’t record this,” he said. I pocketed my phone.

So tell me what it is you do.

“Well, I sell marijuana.”

John’s average-sized and roughly six foot, with an unrelentingly infectious smile. His deliberate tone never extends to curtness even when he asks that I not reveal his home town.

“Western Kansas is fine,” he added.

In 2009, a year or so after graduating high school, John was living on his own in Wichita. His habits were getting pricy and so he took the next step.

“I’ve always been a smoker,” he said. “I got tired of spending money so we bought a little.”

That little amount in 2009 was a pound. John can’t remember how much he and a couple friends paid for it. It didn’t last long.

“Not very long at all,” he said. “All of my friends were smokers too, it maybe lasted two weeks.”

John and his buddies sold some of that first pound to mostly friends and acquaintances. He said they barely broke even, but they didn’t mind.

“We just wanted stuff for free,” he said. He laughed.

Now, four years later, John lives in Lawrence and is a junior taking 13 hours at the university. While he hasn’t decided on a major, he’s leaning toward elementary education and hopes to one day teach overseas in the Peace Corps.

When John isn’t working 30 to 40 hours a week at either of his two jobs, he works from home, providing marijuana to a client base of roughly 20 people.

They’re mostly friends and acquaintances too. He said he likes to keep it that way. You know, less risk.

“You always have to be careful. I rarely sell to strangers without a good reference from a friend,” he said.

Since he began selling in Lawrence around a year and a half ago, John’s illegal dealings have kept low-key and he said nowadays business blends in well with his routine. He keeps dealings small and sells mainly for personal reasons.

“I’m in it [the business] to not spend money on weed,” he said. “I go to school and have two jobs, I have to relax.”

Every three to four days, John takes a quick drive to a source’s house which “really takes no time at all.”

They shoot the bull, banter about sports for a bit, then a thick envelope emerges, a vacuum sealed bag is handed over, and he’s out the door again. Quick and easy.

That brick is usually a quarter-pound of wholesale weed from Colorado or California, he said. It usually runs about $1000. Things have changed since 2009.

Business for John is restricted to menial amounts of marijuana, which he distributes in usually one ounce amounts, though some clients buy more. He said after selling a quarter pound and saving a bit for recreational use, his profits are around $350.

And are you saving any of that?

“Am I saving? Not really. I buy [school] books, go to bars and pay bills,” he said.

What about student loans, do you have any?

He laughed, “Oh yeah.”

John took out student loans just like me. He said he’s currently sitting on around $10,000 in debt.

He said his dealings probably won’t make a sizable dent in his student loans for quite some time, maybe never. His business is currently stable and under the radar, and he has no intentions of expanding.

While going bigger no doubt means more money, the Sword of Damocles sways to and fro.

John’s self-motivated dealings conjure images of early 19th-century America. That rugged individualism we once held in such lofty regard.

Maybe his business isn’t big and glamorous enough to yield any extreme profits, but it works for his needs. He has seized an opportunity not everyone is presented with and made it his own. He’s chosen risk over refuge and saunters on, day after day. Wasn’t that the American Dream?

“The worst part is when you hear about other people getting in trouble. I’ve thought about going bigger but the risks outweigh the gains,” he said. “I never want to get caught and right now I’m not a huge target.”

And since moving to Lawrence, John has yet to have any run-ins with the law.

“I’ve never been in trouble,” he said. “I was arrested twice in Wichita for drinking under age when I was 18, but I got diversions.”

In fact, back in Wichita, John had far more of a wild side.

“I wanted to try everything. Coke, ecstasy, legal salvia, you name it. I was a pain in the ass to my parents, and only went to school sometimes,” he said.

But in Lawrence, he’s calmed down considerably. He still drinks socially and smokes marijuana often, but avoids anything harder.

“I really don’t think there’s anything wrong with marijuana,” he said. “Drinking, pills –those are more dangerous. The worst side effect of weed is just being tired more in the middle of the day.”

John has subsequently told his parents about his illicit dealings.

“They’re definitely not fans, but they know that I’ve calmed down. They know I’m an adult and can be responsible for myself,” he said.

John is thankful for moving to Lawrence and praised its liberal attitude. His business is stable and his clientele help keep operations discrete and, despite a hefty workload, his GPA hovers around 3.4.

Romance is on his mind too. As he described his “hopeless romantic” nature, he said girls mature much faster than guys until a certain age, but these days girls would prefer to party rather than settle down.

He isn’t into that, he’d prefer someone to settle down with and just play it cool.

Until then, it’s business as usual.

“When people hear drug dealer they think, they make so much money, and yeah, those kinds of people are out there,” he said. “But most people you pick up from just need a bit of extra help with bills. Plus the free weed is great.”

He laughed.

So did I.

Massive snowfall hits Lawrence area, travel subdued

By: Nicholas Renard

After facing one of the largest snowfalls in decades, Lawrence residents continue to dig out, salt down and prepare for another possible storm on Monday.

Thursday’s blizzard, ominously dubbed Snowstorm Q, dumped over a foot of snow in just a few hours, closing schools and local businesses and blocking roads throughout town.

City and county cleanup crews began clearing roads Thursday morning, starting with major arterial roads such as Iowa and Sixth streets. By 1pm, plowing operations began, spreading salt and sand treatments over main roadways.

Continual snow forced crews to work well into Thursday night, according to a city press release. Clearing of residential neighborhoods and hillier parts of town began early Friday morning and continued overnight.

Tom Orzulak, Lawrence’s street department manager, said plowing operations continued over the weekend and crews would remain active if heavy snow persists this week.

For motorists Thursday, travel proved treacherous.

With snow falling as much as two inches an hour, according to the National Weather Service, heavily snow-packed roads forced many motorists to stay indoors.

However, many who ventured forth soon found themselves spinning out, sliding and stuck.

By Thursday afternoon, the Lawrence Police Department had received 90 motorist assist calls from drivers blocking traffic or stuck on hills, according to an LPD spokesperson.

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Several cars stuck, some abandoned, near 10th and Arkansas streets Thursday afternoon. Photo courtesy Nicholas Renard.

While no injury-accidents (accidents requiring an ambulance) were reported, the LPD received reports of nine non-injury accidents between 6 a.m. Thursday and about 10:45 a.m. Friday.“This [storm] was kind of interesting, in a way,” said Sgt. Trent McKinley, a spokesperson for the LPD. “We had very few accidents as a result because people just couldn’t get moving.”

One such report involved a single car hitting a utility pole near 14th and Kasold streets, dropping one power line. The driver reported a mild injury however no ambulance was dispatched.

Lawrence police were unsure of the extent of the utility pole’s damage, but did not hear of any outages.

Lawrence Transit service was suspended at 9 a.m. Thursday, however some buses didn’t return to the garage until 1 p.m. due to poor conditions. Five to six buses were stopped at a time, but no accidents were reported,the Transit service said.

Full bus service resumed at 10 a.m. Friday. The Transit service added that it was prepared for the worst tomorrow but not anticipating cancellation.

“Hopefully roads will be okay by tomorrow [Tuesday] morning,” said Robert Nugent, public transit administrator for Lawrence. “We operate service until we can’t go any farther.”

For some KU students, travel wasn’t an option.

Junior Caila McPherson lives on a country road and spent two days snowed in at her mother’s house in Tonganoxie.

“I have a little Ford Fusion so snow is not much fun,” she said. “If we get more snow I’m staying in Lawrence with my aunt, I can’t spend another two days with mom!”

Jeremiah Maska, a 22-year-old professional piercing artist who lives in Lawrence, said he was snowed in for three days.

“I didn’t have a shovel, and when I went out to get a shovel, I couldn’t get out,” Maska said.

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Maska’s car still frozen in a drift near 11th and Connecticut streets Monday. Photo courtesy Nicholas Renard.

The National Weather Service predicts another four to eight inches of snow accumulation for Monday, with another two to four inches possible Tuesday.

McKinley reminded motorists to wear their seatbelts, increase following distances and to keep well under posted speed limits.

“People need to slow down and plan ahead for significant delays,” he said.

3D movies: Here to stay or next to go?

By: Nicholas Renard

As the lights dim and the projector whirrs to life, the mountainous Paramount logo rushes into view. “Oohs” and “Awes” immediately emanate from the audience who adjust and readjust their plastic glasses.

We’re soon catapulted through the depths of the ocean, on a continuous heading toward a submerged, indiscernible mass. Flecks of plankton and dust float from the screen and vanish into our peripheries as the suspense heightens.

Alas, we reach our destination, the battered wreckage of the R .M.S. Titanic.

But of course it is—we’ve seen this before.

Amid increasingly frequent stereoscopic 3D major motion picture releases, “Titanic 3D” is one of many films in recent months to return to theaters for revitalized, three-dimensional screenings. Hollywood film studios, eager to capitalize from 3D cinema’s eye-popping surge in popularity, continue to commission and release 3D films at an ever-growing rate.

But despite its growing global prevalence, will 3D become the new industry standard, or are the dazzling effects and plastic glasses simply a fad?

“This is our third go-round with 3D, and what we’ve seen is story matters more than technology,” said Robert Hurst, assistant professor of film and media studies at the University of Kansas who has a Master of Fine Arts in film and video production from the University of Iowa. “I’m interested in story, not the visuals.”

Hurst added that 3D is really about getting more people to theaters however many viewers are no longer interested.

And as far as local movie theaters are concerned, 3D seems to be on the way out.

The end of an era?

“A few years ago, 3D movies came out almost every weekend, but nowadays they don’t have the allure they once did,” said Michael McMahon, a spokesperson for the Leawood, Kan. AMC Town Center 20 theater. “When ‘Avatar’ was released it set the bar very high, but (3D) isn’t doing it anymore and people leave unhappy.”

Hurst also mentioned James Cameron’s “Avatar,” in which 3D effects seemed appropriate.

That film, released in 2009 in 3D and IMAX 3D, became the first 3D film to reach $1 billion worldwide, and went on to become the highest-grossing film in history, according to Box Office Mojo. Its 3D visual effects were also applauded by most critics, including Roger Ebert of The Chicago Sun-Times.

Three years later, with the rerelease of his 1997 epic romance, “Titanic 3D,” Cameron has yet again dominated the box office, with domestic grosses more than $17 million opening weekend and more than $54 million as of April 25, according to Box Office Mojo.

But despite “Titanic 3D’s” resounding splash, local theaters say profits remain mostly unchanged.

Higher prices, similar profits.

“It’s all about the same, honestly,” said Jon Kelly, the house manager of Hollywood South Wind 12 theater in Lawrence, Kan., who declined to release box-office financial statistics. “As long as most of the (3D) glasses are returned things stay pretty even,” said Kelly, adding that 3D sales help bolster any losses in 2D ticket sales.

Kelly said 3D ticket costs, a $3 addition to any normal ticket price, are allocated directly toward the theater’s five 3D projectors on lease from the Sony Corporation.

He added that some movie-goers complain about the higher ticket costs, which he said probably won’t disappear in the near future.

And given recent announcements by some film industry magnates, neither will 3D.

Industry looks ahead.

After the recent success of his first 3D film, “Hugo,” Academy Award-winning director Martin Scorsese announced in a Guardian article that he will never work without the format again. He also addressed the need to further improve the 3D technology, which has drawn criticism regarding darkened visuals.

Scorsese is among the many proponents of future, laser-illuminated projection technology aimed at brightening 3D visuals, which could be used in theaters by the end of 2013, the article said.

With more than 20 3D films yet to release this year and at least another eight already slated for 2013, the format continues to appear unfazed. And with upcoming big-name 3D releases like “The Avengers” and “The Hobbit,” 2012 could be the biggest year for 3D yet.

“I think ‘The Avengers’ will be our most successful film of the year,” said McMahon of AMC Town Center 20. “We’re also screening every previous Avenger movie during the day leading up to the midnight premiere, which we hope will attract a huge crowd.”

CLICK TO HEAR KU STUDENTS’ OPINIONS OF 3D SUSTAINABILITY

 

A graphic representing the amount of recent 3D film releases.

Number of 3D film releases from 2009 to 2012, includes current 2013 announcements.

Film news: Apr 23 – Apr 27

  • Martin Scorsese says he wishes “Raging Bull” and “Taxi Driver” were filmed in 3-D, calls for solution to 3-D’s characteristic screen darkness.  THE GUARDIAN
  • Peter Jackson chooses 48 FPS frame rate for “The Hobbit,” critic contends footage “looked terrible” and “completely non-cinematic.” DAILY FINANCE
  • Chicago Sun-Times’ Roger Ebert reviews Relativity Media’s new thriller, “The Raven.” CHICAGO SUN-TIMES
  • “The Pirates! Band of Misfits” keeps claymation and stop-motion dreams alive. THE KANSAS CITY STAR
  • Tom Cruise to sign deal to star in “Top Gun” sequel. MTV NEWS

 

“Bully” rating raises dispute, questions MPAA

By: Nicholas Renard

As the sun rises over Sioux City, Iowa, 12-year-old Alex Libby waits for his school bus. After climbing aboard, he sits alone. It’s not long before the harassment begins. It starts small with name-calling and the occasional pinch, but soon escalates to viscous profanity, hitting and even strangling.

This is not an unusual morning for Libby, this is his routine.

This moment, an early scene in “Bully,” the Weinstein Company’s emotionally charged documentary from director Lee Hirsch, sets the tone for the entire film.

“Bully” assays the current bullying crisis in U.S. schools through a focused, objective lens.  Through profiles of five students, and their families, who fall victim to bullying on a near day-to-day basis, “Bully” hopes to provide audiences a glimpse into an ongoing, perforating social problem.

However, after the Motion Picture Association of America branded it with an R rating, which bars anyone under age 17 without an accompanying adult, producers of “Bully” faced losing its target audience of young children and teens.

Studio pleads case, tempers flare.

Proponents of the film, like Stephen Bruno, president of marketing at Time Warner Cable, spoke out against the R rating, claiming it barred children from much needed exposure.

“This documentary shows what’s happening in schools every day,” Bruno said in a Business Week article. “Kids can’t edit their lives.”

The R rating, assigned because of several usages of the “F-word” in what producers considered a key scene, spurred a heated dispute between the MPAA and the Weinstein Co., who responded by advocating for a PG-13 rating. The Weinstein Co.’s campaign culminated with a more than 500,000 signature petition on the website change.org.

After immense public and celebrity support and a prominent media spotlight, the MPAA reclassified “Bully” as “Unrated” before ultimately assigning a PG-13 rating on April 6, provided filmmakers cut three “F-words.” A decision the film’s producers called a “huge victory.”

The MPAA also waved the 90-day waiting period normally required between the release of two differently-rated versions of a film.

MPAA fairness?

The “Bully” rating dispute calls into question the MPAA’s rating system, which some film industry figures say could benefit from re-evaluation.

“It’s definitely an arcane system,” said Robert Hurst, assistant professor of film and media studies at the University of Kansas who has a Master of Fine Arts in film and video production from the University of Iowa. “They have a weird value system that doesn’t seem neutral.”

He said that while the MPAA’s choices are usually justified, its grip on films sometimes becomes too tight, and because an MPAA rating is required before a film can legally show in theaters, or be considered for an Academy Award, this places a “huge burden” on independent filmmakers.

And for independent directors, like Lee Hirsch of “Bully,” an undesired MPAA rating can potentially eliminate a targeted audience or influence box-office success.

Hurst said the when the MPAA, which he referred to as the “Ratings Cartel,” rejects films that apply for a specific rating, it often causes filmmakers to re-edit their films in hope of achieving a desired rating.

Opening weekend and hitting home.

Once reassigned as PG-13, “Bully” opened March 30 in select theaters to mostly positive reviews, grossing $116,472 in its first weekend, according to Box Office Mojo.

At the AMC Town Center 20 theater in Leawood, Kan., “Bully” opened Friday in the largest theater, attracting a mostly adult audience, according to a Leawood AMC spokesperson.

“This is real and something should be done about it,” said Dan Steinbacher of Olathe, Kan., who saw the film with his two step-children Saturday. “My kids say it isn’t going on at their schools but it’s clearly happening elsewhere. People need to be made aware.”

Steinbacher’s sentiments were echoed by the roughly 20 audience members, most of which left with low-hung heads and watery eyes.

Some movie-goers couldn’t wait until the lights came up to share their feelings.

Robert Basolo, a Kansas City, Mo. resident, was one of several who shouted remarks of disapproval during the screening.

“It’s truly horrible,” Basolo said afterwards. “Showing this film should be mandatory in schools.”

“Bully” is rated PG-13 for intense thematic material, disturbing content and some strong language, all involving kids.

For more information on bullying visit standforthesilent.org, or make a contribution toward ending bullying in schools at sftsstore.org.

View an interactive graph of U.S. bullying statistics here.

MPAA ratings system visual history

“Bully,” the new documentary from The Weinstein Co., has drawn a considerable amount of flak for the MPAA (Motion Picture Association of America) R rating. Proponents of the film explained that the film’s focus was intentionally geared toward younger children in an attempt to bring to light the severity of bullying in American schools and that the small amount of profane language does not warrant an R rating. The film has subsequently been re-evaluated and stamped with a PG-13 rating.

View an interactive visual history of the MPAA ratings system here.

Sources: mpaa.org/filmbug.com

Film news: Apr 2 – Apr 6

  • Weinstein Co. wins fight against ratings board, “Bully” film lowered to PG-13 to accommodate younger audience. REUTERS
  • Village stand in for “Hunger Games” District 12 could be yours for $1.4 million. FORBES
  • Chicago Sun-Times’ Roger Ebert reviews James Cameron’s 3-D “Titanic” re-release. CHICAGO SUN-TIMES
  • “To Kill a Mockingbird” celebrates its 50th anniversary with White House screening. CBS NEWS
  • Ashton Kutcher to portray Steve Jobs in upcoming biopic “Jobs.” THE GUARDIAN

 

Film news: Mar 26 – Mar 30

  • After a dreaded “R” rating, “Bully” film releases with “unrated” designation, decision may still deter child viewers. BUSINESS WEEK
  • James Cameron’s “Titanic” will return to the big screen, this time in 3-D. HERALD SUN 
  • Former KU students turn KU-Missouri rivalry into YouTube hit. THE UNIVERSITY DAILY KANSAN
  • Chicago Sun-Times’ Roger Ebert reviews Warner Brothers’ new fantasy film “Wrath of the Titans.” CHICAGO SUN-TIMES
  • New shots released of up and coming James Bond film “Skyfall.” ENTERTAINMENTWISE

New L.A. ordinance requires condoms in porn, industry concerned

By: Nicholas Renard

Since its inception, pornography provides its fans a chance to escape their hectic lives, a fantasy world where dreams come true and a land of golden opportunity. But now, fans are about to receive a jarring jolt of reality.

Amid tireless congressional efforts to enact employer-provided contraceptive coverage laws, Los Angeles is doing its part to stay safe.

In the wake of numerous adult film production suspensions regarding suspicion of HIV transmission among performers, the Los Angeles City Council adopted a city ordinance on March 5 stipulating male pornographic film actors must wear condoms at all times during filming.

While seen as a glowing achievement by safe-sex proponents, the “City of Los Angeles Safer Sex In The Adult Film Industry Act” has some adult film executives in an uproar, with many threatening to move their multibillion-dollar operations elsewhere.

If successful porn studios go elsewhere, Los Angeles stands to lose a sizeable number of jobs and revenue.

“Clearly, the viewing public doesn’t want to watch movies with condoms,” said Steven Hirsch, the founder of Vivid Entertainment, in a recent New York Times article. “If they mandate condoms, people will shoot in other locations.”

Hirsch’s sentiments are echoed by some adult film actors who have long believed condoms in porn are a surefire sales hindrance.

Adult film actor weighs in

“Guys don’t watch straight couples having sex with condoms,” said Brandon Wilde, a Los Angeles resident and gay porn actor.

But Wilde said he was amazed the city adopted the ordinance and that the industry needs condoms.

“It’s about time,” he said. “Diseases are always a risk.”

However Wilde said most gay porn studios in California he has worked for, such as Channel 1 Releasing and Stag Boys, already mandate condom use and the gay industry has yet to see any link between condom usage and declining sales.

“This change will affect the straight industry more than the gay industry,” he said.

So why does the straight industry feel threatened?

Expert testimony

Some experts, like Milton Wendland, a lawyer and visiting assistant KU professor of Women, Gender and Sexuality studies with a Ph.D. from KU, says safe-sex practices are important in real-life, but many viewers may find them distracting.

“Condoms may disrupt the fantasy flow of the film, much as if the actors all stopped to shower themselves clean or female performers stopped to insert contraceptive sponges,” he said in an email.

He said this could be considered a government over-reach and limit filmmakers’ artistic expression and free speech, and that the industry has already taken sufficient precautionary measures against sexually transmitted infections.

“Clearly, protecting people from possible STIs is a concern,” he said “The adult film industry has in place industry standards dictating STI testing for all performers every 28 days and maintenance of a master database of all performers who are or are not eligible for work.”

Better safe than sorry

As gay men are more prone to HIV and AIDS, two diseases the ordinance hopes to help prevent, Wilde says has always makes a conscious effort to stay safe.

“Some companies are specifically known for their bare-backing,” he said. “I won’t work for them because personally I always wear a condom.”

He said studios usually have gloved technicians on set to ensure proper condom application and sanitation.

“It’s a simple enough process,” he said. “But it’s worth it to be 99 percent safe.”

Local business not worried

But how will the ordinance affect pornography sales elsewhere? For Lawrence, it seems, not much.

Christina Clark, manager of Cirilla’s, a Lawrence porn shop, was pleased with Los Angeles’ decision and is certain her business will go un-phased.

Clark said the promise of safe sex may even attract more actors to the porn scene who were previously reluctant to sign up.

“Porn is porn, sex sells,” she said.


Film news: Mar 9 – Mar 15

  • Michael Bay action film inspires invention of simple test for chemical weapon attacks. CNET
  • “Birdmen: The Original Dream of Flight” released, becomes first full-length documentary film about B.A.S.E. jumping. THE ATLANTIC
  • Disney’s “John Carter” a flop, studio learns from its mistake. THE WALL STREET JOURNAL
  • Chicago Sun-Times’ Roger Ebert reviews Paramount Vantage’s new film “Jeff Who Lives At Home.” CHICAGO SUN-TIMES
  • 26th annual Israeli Film Festival begins Thursday in Los Angeles, showcasing more than 30 films. LOS ANGELES TIMES

 

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